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results 21-31 of 31 item(s)  page 2 of 2 : ( <<  1  2  >> ) :: previous : next
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 Image: Title: Description:

21. [Bookplate for M. J. Freie] [Bookplate for M. J. Freie] Pictorial bookplate created with black ink on ivory paper. A clock tower is visible through a stone, oval, window. In the upper right and left corners are shields: On the left side is an or shield with a displayed double-headed bird ; on the chest of the bird is an argent shield with a vert fess. The shield on the right side is sable with a ship. In the bottom right corner is an owl perched atop books and in the left corner is a painter's pallet and brushes.

22. [Bookplate for Margarethe Schwarzwald and J. E. Horvath] [Bookplate for Margarethe Schwarzwald and J. E. Horvath] This beautiful bookplate in black ink on thin brown paper presents us with a view of a village and a hill top castle through an opening in the trees. In the foreground is a stack of books, with one book open facing the observer, and a vase filled with flowers.

23. [Bookplate for Nancy Stuart Reid] [Bookplate for Nancy Stuart Reid] In black ink on white paper with visible chain and laid lines, two children sit reading under a tree. The paper also includes a watermark: 'NADA / Byron'.

24. [Bookplate for Norman H. Friedman by A. G. Racey] [Bookplate for Norman H. Friedman by A. G. Racey] Brown ink on cream paper. A man is seated in a wing chair by the fire, wearing slippers and reading a book ; his face is not visible but his pipe pokes out from behind the chair. A fire is roaring in a brick fireplace behind him, with a bust labeled 'Kipling' on the mantelpiece ; the mantel is inscribed with the words 'Be a reader but not a book keeper' with initials below the quote that appear to read A.G.A. In the foreground, there are piles of books and manuscripts and a small dog.

25. [Bookplate for Norman M. Keith by W. W. A.] [Bookplate for Norman M. Keith by W. W. A.] This bookplate's design features a lakeside camping scene with mountains visible in the distance. It is framed by Scottish thistles. Above the scene are three logos representing the Royal Army Medical Corps, the University of Toronto, and Johns Hopkins University. A globe and stack of books are featured in the lower left corner and a small escutcheon of the University of Toronto sits at the bottom centre of the design.

26. [Bookplate for Robert Hall and William Phillips Barrett by William Phillips Barrett] [Bookplate for Robert Hall and William Phillips Barrett by William Phillips Barrett] Printed in black ink on cream colored paper. The interior of a private library or study room is depicted. The right-hand side of the room is lined with a wall of books, which is topped with several carved busts. In the centre of the room, a large reading table holds several books and is surrounded by three chairs – an upholstered armchair on the left and two wooden chairs on the right. The books are heavy, bound manuscripts and one is open to display an illuminated frontispiece. In the background, a large bay window looks to a building with a spire that is surrounded by shrubbery.

27. [Bookplate for Stanley Harrod by T. Z.] [Bookplate for Stanley Harrod by T. Z.] Black ink on white paper. Image has overall appearance of watercolour. There is text printed in sans serif capitalized black font in the top left and top right corners. The bookplate background is a multihued pale gray. The image depicts a street in Bruges. A stone church is in the background, with a tall, pointed tower. A lower part of the church is visible, with upper level balconies visible. The windows are decorated at the top with crosses. To the right of that part of the building is the roof of another building, also decorated with crosses at the uppermost part of the roof. A couple other towers are visible in the distance behind these buildings. At the forefront of the image is a dark bridge/archway. Through the archway are several trees in the church yard. The arch itself has a round decorative feature in the center. The left hand side of the arch is lighter, with two round stone towers extending up. The central part of the bridge/arch and the buildings on the right hand side are in shadow. The building on the right hand side is shorter and squarer, with a window by the top of the arch and a rounded door on the ground. There is shading in front of the archway that then lightens. In the lightened portion is printed capitalized, black text in serif font. In the bottom right corner are overlapping letters, a Z and a T.

28. [Bookplate for Thomae Perczel de Bonyhad and J. E. Horvath] [Bookplate for Thomae Perczel de Bonyhad and J. E. Horvath] The shield occupying the centre of the bookplate is quartered with rampant lions queue fourché on the dexter chief and sinister base, bendlets on the dexter base and a bend on the sinister chief. Two young figures act as supporters ; the one on the left holds an open book while gazing towards the sinister supporter. The shield and figures rest on an ornate panel with the ownership text. A heavy curtain is draped on top and to the left of the shield and behind it a book case is visible. At the bottom of the bookplate it is noted that the image is a reproduction of an old engraving (Nach einem alten Stich).

29. [Bookplate for William R. Ridell] [Bookplate for William R. Ridell] Shield, argent (silver), charged with a chevron, gules (red), and three garb, aulned. Above the crest is a greyhound, rampant ; only top half of dog is visible behind a wreath of vert (green) and a second colour, unclear. Beneath the shield is a banner which ends in two tassels on either side, reading 'I hope to Share.' Box on lower left side for entering book number, unused. Tear at bottom right.

30. [Bookplate] [Bookplate] In black ink on thin, white paper with visible chain and laid lines, an elaborate border surrounds the institution name and number.

31. [Bookplate] [Bookplate] A lion rampant holding a stemmed (slipped) rose above the entwined letters G or C and H, through which is woven a banner with the Latin phrase. The bookplate is rendered in some kind of red ink, which is raised from the paper both from embossing (visible on the back) and a way that the ink itself is raised from the paper.
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results 21-31 of 31 item(s)  page 2 of 2 : ( <<  1  2  >> ) :: previous : next
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